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Hasta La Vista album cover

ISRC

RSA181340951

Hasta La Vista2

Song: HASTA LA VISTA

Hurricane
matched
Released 2020-05-15

Last verified:

RSA181340951 is the International Standard Recording Code (ISRC) for the recording “Hasta La Vista” by Hurricane, released 2020-05-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JACK.

Format

RSCountry
A18Registrant
13Year (2013)
40951Designation
Country:
ISO 3166-1 alpha-2 country code (RS).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JACKComposerLyricist
SWINGJACK RECORDS LTD. OriginalPublisherIPI: 00448795008
UNIVERSAL MUSIC-MGB SONGS SubPublisherIPI: 00538724724

Who publishes this song?

SWINGJACK RECORDS LTD.OriginalPublisher
IPI: 00448795008
UNIVERSAL MUSIC-MGB SONGSSubPublisher
IPI: 00538724724

Credits Graph

MLC Song Code

H4135L
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hasta La Vista" by Hurricane?
The ISRC for "Hasta La Vista" by Hurricane is RSA181340951.
Who wrote "Hasta La Vista"?
"Hasta La Vista" was written by JACK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC RSA181340951?

RSA181340951 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Hasta La Vista” by Hurricane. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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