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ISRC

RUAAX2000567

Садко, картина 1: Хор “Собралися мы, гости торговые”

Константин ПустовойСергей АрхиповХор Большого театраОркестр Большого театраЮрий Симонов
Released 2020-05-08

Last verified:

RUAAX2000567 is the International Standard Recording Code (ISRC) for the recording "Садко, картина 1: Хор “Собралися мы, гости торговые”" by Константин Пустовой, Сергей Архипов, Хор Большого театра, Оркестр Большого театра, Юрий Симонов, released 2020-05-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

RUCountry
AAXRegistrant
20Year (2020)
00567Designation
Country:
ISO 3166-1 alpha-2 country code (RU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Садко, картина 1: Хор “Собралися мы, гости торговые”" by Константин Пустовой?
The ISRC for "Садко, картина 1: Хор “Собралися мы, гости торговые”" by Константин Пустовой, Сергей Архипов, Хор Большого театра, Оркестр Большого театра, Юрий Симонов is RUAAX2000567.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC RUAAX2000567?

RUAAX2000567 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Садко, картина 1: Хор “Собралися мы, гости торговые”" by Константин Пустовой, Сергей Архипов, Хор Большого театра, Оркестр Большого театра, Юрий Симонов. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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