Massimo sempre for Flute, Clarinet, Violin, Cello and Piano (2011) album cover

ISRC

RUAAX2002447

Massimo sempre for Flute, Clarinet, Violin, Cello and Piano (2011)

Song: Massimo sempre

Иван БушуевОлег ТанцовМихаил ДубовГлеб ХохловЮлия Мигунова
Released 2020-12-02

Last verified:

RUAAX2002447 is the International Standard Recording Code (ISRC) for the recording “Massimo sempre for Flute, Clarinet, Violin, Cello and Piano (2011) by Иван Бушуев, Олег Танцов, Михаил Дубов, Глеб Хохлов, Юлия Мигунова, released 2020-12-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

RUCountry
AAXRegistrant
20Year (2020)
02447Designation
Country:
ISO 3166-1 alpha-2 country code (RU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Massimo sempre for Flute, Clarinet, Violin, Cello and Piano (2011)" by Иван Бушуев?
The ISRC for "Massimo sempre for Flute, Clarinet, Violin, Cello and Piano (2011)" by Иван Бушуев, Олег Танцов, Михаил Дубов, Глеб Хохлов, Юлия Мигунова is RUAAX2002447.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC RUAAX2002447?

RUAAX2002447 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Massimo sempre for Flute, Clarinet, Violin, Cello and Piano (2011) by Иван Бушуев, Олег Танцов, Михаил Дубов, Глеб Хохлов, Юлия Мигунова. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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