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ISRC

RUB681900061

The Anatomy of Pain

Song: Nosferatu: Act II, Scene 3

Tasos DimasSofia HillAlla DemidovaNatalia PschenitschnikovaEleni Lydia StamelloumusicAeterna OrchestraChorusTeodor Currentzis
Released 2019-05-24

Last verified:

RUB681900061 is the International Standard Recording Code (ISRC) for the recording "The Anatomy of Pain" by Tasos Dimas, Sofia Hill, Alla Demidova, Natalia Pschenitschnikova, Eleni Lydia Stamellou, musicAeterna Orchestra, Chorus, Teodor Currentzis, released 2019-05-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

RUCountry
B68Registrant
19Year (2019)
00061Designation
Country:
ISO 3166-1 alpha-2 country code (RU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Anatomy of Pain" by Tasos Dimas?
The ISRC for "The Anatomy of Pain" by Tasos Dimas, Sofia Hill, Alla Demidova, Natalia Pschenitschnikova, Eleni Lydia Stamellou, musicAeterna Orchestra, Chorus, Teodor Currentzis is RUB681900061.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC RUB681900061?

RUB681900061 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Anatomy of Pain" by Tasos Dimas, Sofia Hill, Alla Demidova, Natalia Pschenitschnikova, Eleni Lydia Stamellou, musicAeterna Orchestra, Chorus, Teodor Currentzis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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