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HIGHWAY PATROL FEAT. BLADEE album cover

ISRC

SE5AJ1600105

HIGHWAY PATROL FEAT. BLADEE

Song: HIGHWAY PATROL FT. BLADEE

BLADEEYUNG LEAN
unmatchedNot yet matched in the MLC database
Released 2016-02-25

Last verified:

SE5AJ1600105 is the International Standard Recording Code (ISRC) for the recording "HIGHWAY PATROL FEAT. BLADEE" by BLADEE, YUNG LEAN, released 2016-02-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JONATHAN LEANDOER HASTAD, AXEL TUFVESSON, CARL-MIKAEL BERLANDER, and others.

Format

SECountry
5AJRegistrant
16Year (2016)
00105Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHIGHWAY PATROL FEAT. BLADEE
IPIJONATHAN LEANDOER HASTAD

People also ask

What is the ISRC for "HIGHWAY PATROL FEAT. BLADEE" by BLADEE?
The ISRC for "HIGHWAY PATROL FEAT. BLADEE" by BLADEE, YUNG LEAN is SE5AJ1600105.
Who wrote "HIGHWAY PATROL FEAT. BLADEE"?
"HIGHWAY PATROL FEAT. BLADEE" was written by JONATHAN LEANDOER HASTAD, AXEL TUFVESSON, CARL-MIKAEL BERLANDER, MIKE DEAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SE5AJ1600105?

SE5AJ1600105 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "HIGHWAY PATROL FEAT. BLADEE" by BLADEE, YUNG LEAN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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