REDLIGHT MOMENTS PROD. OOGIEMANE, F1LTHY album cover

ISRC

SE5AJ1600408

REDLIGHT MOMENTS PROD. OOGIEMANE, F1LTHY

Song: REDLIGHT MOMENTS

BLADEE
unmatchedNot yet matched in the MLC database
Released 2017-12-28

Last verified:

SE5AJ1600408 is the International Standard Recording Code (ISRC) for the recording “REDLIGHT MOMENTS PROD. OOGIEMANE, F1LTHY by BLADEE, released 2017-12-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BENJAMIN REICHWALD, JORDAN T. ORTIZ, RICHARD ORTIZ.

Format

SECountry
5AJRegistrant
16Year (2016)
00408Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCREDLIGHT MOMENTS PROD. OOGIEMANE, F1LTHY

People also ask

What is the ISRC for "REDLIGHT MOMENTS PROD. OOGIEMANE, F1LTHY" by BLADEE?
The ISRC for "REDLIGHT MOMENTS PROD. OOGIEMANE, F1LTHY" by BLADEE is SE5AJ1600408.
Who wrote "REDLIGHT MOMENTS PROD. OOGIEMANE, F1LTHY"?
"REDLIGHT MOMENTS PROD. OOGIEMANE, F1LTHY" was written by BENJAMIN REICHWALD, JORDAN T. ORTIZ, RICHARD ORTIZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SE5AJ1600408?

SE5AJ1600408 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “REDLIGHT MOMENTS PROD. OOGIEMANE, F1LTHY by BLADEE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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