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Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts):I. Introduction. Marche du soldat album cover

ISRC

SEAEB2235120

Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts):I. Introduction. Marche du soldat

Song: Grande Suite de L’Histoire du Soldat: I. Marche du Soldat

Wigmore Soloists
Released 2022-11-01

Last verified:

SEAEB2235120 is the International Standard Recording Code (ISRC) for the recording “Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts):I. Introduction. Marche du soldat” by Wigmore Soloists, released 2022-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AEBRegistrant
22Year (2022)
35120Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts):I. Introduction. Marche du soldat" by Wigmore Soloists?
The ISRC for "Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts):I. Introduction. Marche du soldat" by Wigmore Soloists is SEAEB2235120.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAEB2235120?

SEAEB2235120 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts):I. Introduction. Marche du soldat” by Wigmore Soloists. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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