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18 Chorales „Leipziger Choräle“: No. 17. Komm, Gott, Schöpfer, Heiliger Geist, BWV 667 album cover

ISRC

SEAED2441060

18 Chorales „Leipziger Choräle“: No. 17. Komm, Gott, Schöpfer, Heiliger Geist, BWV 667

Song: Choralvorspiele für Orgel in G-Dur, BWV 667 "Komm, Gott Schöpfer, heiliger Geist"

Masaaki Suzuki
Released 2025-03-14

Last verified:

SEAED2441060 is the International Standard Recording Code (ISRC) for the recording “18 Chorales „Leipziger Choräle“: No. 17. Komm, Gott, Schöpfer, Heiliger Geist, BWV 667” by Masaaki Suzuki, released 2025-03-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AEDRegistrant
24Year (2024)
41060Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "18 Chorales „Leipziger Choräle“: No. 17. Komm, Gott, Schöpfer, Heiliger Geist, BWV 667" by Masaaki Suzuki?
The ISRC for "18 Chorales „Leipziger Choräle“: No. 17. Komm, Gott, Schöpfer, Heiliger Geist, BWV 667" by Masaaki Suzuki is SEAED2441060.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAED2441060?

SEAED2441060 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “18 Chorales „Leipziger Choräle“: No. 17. Komm, Gott, Schöpfer, Heiliger Geist, BWV 667” by Masaaki Suzuki. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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