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Symphony no. 13, op. 192: III. Allegro con brio - Calmo - Più mosso - Tempo I album cover

ISRC

SEAEH9628090

Symphony no. 13, op. 192: III. Allegro con brio - Calmo - Più mosso - Tempo I

Aarhus Symphony OrchestraOwain Arwel Hughes
Released 1996-04-01

Last verified:

SEAEH9628090 is the International Standard Recording Code (ISRC) for the recording “Symphony no. 13, op. 192: III. Allegro con brio - Calmo - Più mosso - Tempo I” by Aarhus Symphony Orchestra, Owain Arwel Hughes, released 1996-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AEHRegistrant
96Year (1996)
28090Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Symphony no. 13, op. 192: III. Allegro con brio - Calmo - Più mosso - Tempo I" by Aarhus Symphony Orchestra?
The ISRC for "Symphony no. 13, op. 192: III. Allegro con brio - Calmo - Più mosso - Tempo I" by Aarhus Symphony Orchestra, Owain Arwel Hughes is SEAEH9628090.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAEH9628090?

SEAEH9628090 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Symphony no. 13, op. 192: III. Allegro con brio - Calmo - Più mosso - Tempo I” by Aarhus Symphony Orchestra, Owain Arwel Hughes. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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