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Come Scoglio, Recitative and Aria from Così fan tutte, KV 588 album cover

ISRC

SEAEP0629070

Come Scoglio, Recitative and Aria from Così fan tutte, KV 588

Song: Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)

Miah PerssonSwedish Chamber OrchestraSebastian Weigle
Released 2006-06-01

Last verified:

SEAEP0629070 is the International Standard Recording Code (ISRC) for the recording “Come Scoglio, Recitative and Aria from Così fan tutte, KV 588” by Miah Persson, Swedish Chamber Orchestra, Sebastian Weigle, released 2006-06-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AEPRegistrant
06Year (2006)
29070Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Come Scoglio, Recitative and Aria from Così fan tutte, KV 588" by Miah Persson?
The ISRC for "Come Scoglio, Recitative and Aria from Così fan tutte, KV 588" by Miah Persson, Swedish Chamber Orchestra, Sebastian Weigle is SEAEP0629070.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAEP0629070?

SEAEP0629070 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Come Scoglio, Recitative and Aria from Così fan tutte, KV 588” by Miah Persson, Swedish Chamber Orchestra, Sebastian Weigle. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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