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ISRC

SEAET0818510

Two Songs from "Twelfth Night", op. 60 no. 1 (original versions for voice and guitar): Kom nu hit, död!

Song: Kom nu hit, död!, op. 60 no. 1

Gabriel SuovanenJuuso Nieminen
Released 2008-12-01

Last verified:

SEAET0818510 is the International Standard Recording Code (ISRC) for the recording "Two Songs from "Twelfth Night", op. 60 no. 1 (original versions for voice and guitar): Kom nu hit, död!" by Gabriel Suovanen, Juuso Nieminen, released 2008-12-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AETRegistrant
08Year (2008)
18510Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Two Songs from "Twelfth Night", op. 60 no. 1 (original versions for voice and guitar): Kom nu hit, död!" by Gabriel Suovanen?
The ISRC for "Two Songs from "Twelfth Night", op. 60 no. 1 (original versions for voice and guitar): Kom nu hit, död!" by Gabriel Suovanen, Juuso Nieminen is SEAET0818510.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAET0818510?

SEAET0818510 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Two Songs from "Twelfth Night", op. 60 no. 1 (original versions for voice and guitar): Kom nu hit, död!" by Gabriel Suovanen, Juuso Nieminen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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