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ISRC

SEAGA9204150

Symphony no. 4 “Johannes uppenbarelse”: VI. Recitative “Och jag såg himmelen öppen”

Håkan HagegårdGöteborgs SymfoniorkesterSixten Ehrling
Released 1992-01-01

Last verified:

SEAGA9204150 is the International Standard Recording Code (ISRC) for the recording "Symphony no. 4 “Johannes uppenbarelse”: VI. Recitative “Och jag såg himmelen öppen”" by Håkan Hagegård, Göteborgs Symfoniorkester, Sixten Ehrling, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AGARegistrant
92Year (1992)
04150Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Symphony no. 4 “Johannes uppenbarelse”: VI. Recitative “Och jag såg himmelen öppen”" by Håkan Hagegård?
The ISRC for "Symphony no. 4 “Johannes uppenbarelse”: VI. Recitative “Och jag såg himmelen öppen”" by Håkan Hagegård, Göteborgs Symfoniorkester, Sixten Ehrling is SEAGA9204150.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAGA9204150?

SEAGA9204150 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Symphony no. 4 “Johannes uppenbarelse”: VI. Recitative “Och jag såg himmelen öppen”" by Håkan Hagegård, Göteborgs Symfoniorkester, Sixten Ehrling. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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