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Show Me Love album cover

ISRC

SEPQA0550250

Show Me Love

Song: SHOW ME LOVE

Andreas Johnson
unmatchedNot yet matched in the MLC database
Released 2005-11-03

Last verified:

SEPQA0550250 is the International Standard Recording Code (ISRC) for the recording "Show Me Love" by Andreas Johnson, released 2005-11-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
PQARegistrant
05Year (2005)
50250Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ANDREAS JOHNSONComposer
EMI MUSIC PUB SCANDINAVIA AB OriginalPublisher0.00%IPI: 00036552682
EMI BLACKWOOD MUSIC INC RightsAdministrator100.00%IPI: 00223437493

Who publishes this song?

EMI MUSIC PUB SCANDINAVIA ABOriginalPublisher
IPI: 00036552682
EMI BLACKWOOD MUSIC INCRightsAdministrator
IPI: 00223437493

MLC Song Code

S1769T
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Show Me Love" by Andreas Johnson?
The ISRC for "Show Me Love" by Andreas Johnson is SEPQA0550250.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEPQA0550250?

SEPQA0550250 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Show Me Love" by Andreas Johnson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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