Been There Done That (Beauz remix) album cover

ISRC

SEUM71800595

Been There Done That (Beauz remix)

Song: BEEN THERE DONE THAT

NOTDTove Styrke
matched
Released 2018-10-26

Last verified:

SEUM71800595 is the International Standard Recording Code (ISRC) for the recording “Been There Done That (Beauz remix) by NOTD, Tove Styrke, released 2018-10-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAKOB GUSTAV HAZELL, SVANTE CLAS HALLDIN, KENNEDI KATHYRN RAE LYKKEN, and others.

Format

SECountry
UM7Registrant
18Year (2018)
00595Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBeen There Done That (Beauz remix)

People also ask

What is the ISRC for "Been There Done That (Beauz remix)" by NOTD?
The ISRC for "Been There Done That (Beauz remix)" by NOTD, Tove Styrke is SEUM71800595.
Who wrote "Been There Done That (Beauz remix)"?
"Been There Done That (Beauz remix)" was written by JAKOB GUSTAV HAZELL, SVANTE CLAS HALLDIN, KENNEDI KATHYRN RAE LYKKEN, TOBIAS DANIELSSON, SAMUEL BRANDT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEUM71800595?

SEUM71800595 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Been There Done That (Beauz remix) by NOTD, Tove Styrke. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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