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Bite Your Head Off (Andrew Tailor remix) album cover

ISRC

SEVOH1400104

Bite Your Head Off (Andrew Tailor remix)2

Song: BITE YOUR HEAD OFF

Friska Viljor
matched
Released 2014-02-21

Last verified:

SEVOH1400104 is the International Standard Recording Code (ISRC) for the recording “Bite Your Head Off (Andrew Tailor remix)” by Friska Viljor, released 2014-02-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANIEL KARL JOHANSSON, JOAKIM CHRISTER SVENNINGSSON.

Format

SECountry
VOHRegistrant
14Year (2014)
00104Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBite Your Head Off (Andrew Tailor remix)
IPIDANIEL KARL JOHANSSON

People also ask

What is the ISRC for "Bite Your Head Off (Andrew Tailor remix)" by Friska Viljor?
The ISRC for "Bite Your Head Off (Andrew Tailor remix)" by Friska Viljor is SEVOH1400104.
Who wrote "Bite Your Head Off (Andrew Tailor remix)"?
"Bite Your Head Off (Andrew Tailor remix)" was written by DANIEL KARL JOHANSSON, JOAKIM CHRISTER SVENNINGSSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEVOH1400104?

SEVOH1400104 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Bite Your Head Off (Andrew Tailor remix)” by Friska Viljor. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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