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Five Preludes for Solo Guitar, W 419: Prelude No. 2 in E Major: Andantino espressivo album cover

ISRC

SEWDL0717408

Five Preludes for Solo Guitar, W 419: Prelude No. 2 in E Major: Andantino espressivo2

Song: FIVE PRELUDES FOR GUITAR

Sonja Prunnbauer
unmatchedNot yet matched in the MLC database
Released 2011-01-01

Last verified:

SEWDL0717408 is the International Standard Recording Code (ISRC) for the recording “Five Preludes for Solo Guitar, W 419: Prelude No. 2 in E Major: Andantino espressivo” by Sonja Prunnbauer, released 2011-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
WDLRegistrant
07Year (2007)
17408Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Five Preludes for Solo Guitar, W 419: Prelude No. 2 in E Major: Andantino espressivo" by Sonja Prunnbauer?
The ISRC for "Five Preludes for Solo Guitar, W 419: Prelude No. 2 in E Major: Andantino espressivo" by Sonja Prunnbauer is SEWDL0717408.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEWDL0717408?

SEWDL0717408 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Five Preludes for Solo Guitar, W 419: Prelude No. 2 in E Major: Andantino espressivo” by Sonja Prunnbauer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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