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Fredmans epistel N:o 30: Drick ur ditt glas, se döden på dig väntar album cover

ISRC

SEWSJ0184110

Fredmans epistel N:o 30: Drick ur ditt glas, se döden på dig väntar

Song: Epistel No. 30 “Drick ur ditt glas”

Torsten MossbergJonas IsakssonAndreas Nyberg
Released 2020-05-01

Last verified:

SEWSJ0184110 is the International Standard Recording Code (ISRC) for the recording “Fredmans epistel N:o 30: Drick ur ditt glas, se döden på dig väntar” by Torsten Mossberg, Jonas Isaksson, Andreas Nyberg, released 2020-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
WSJRegistrant
01Year (2001)
84110Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Fredmans epistel N:o 30: Drick ur ditt glas, se döden på dig väntar" by Torsten Mossberg?
The ISRC for "Fredmans epistel N:o 30: Drick ur ditt glas, se döden på dig väntar" by Torsten Mossberg, Jonas Isaksson, Andreas Nyberg is SEWSJ0184110.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEWSJ0184110?

SEWSJ0184110 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Fredmans epistel N:o 30: Drick ur ditt glas, se döden på dig väntar” by Torsten Mossberg, Jonas Isaksson, Andreas Nyberg. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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