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I GET WICKED - ANDY HUNTER REMIX album cover

ISRC

TCABK1271307

I GET WICKED - ANDY HUNTER REMIX

Song: I GET WICKED

THOUSAND FOOT KRUTCH
unmatchedNot yet matched in the MLC database
Released 2012-12-04

Last verified:

TCABK1271307 is the International Standard Recording Code (ISRC) for the recording "I GET WICKED - ANDY HUNTER REMIX" by THOUSAND FOOT KRUTCH, released 2012-12-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by AARON SPRINKLE, TREVOR MCNEVAN, STEVE AUGUSTINE, and others.

Format

TCCountry
ABKRegistrant
12Year (2012)
71307Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI GET WICKED - ANDY HUNTER REMIX
IPIAARON SPRINKLE

People also ask

What is the ISRC for "I GET WICKED - ANDY HUNTER REMIX" by THOUSAND FOOT KRUTCH?
The ISRC for "I GET WICKED - ANDY HUNTER REMIX" by THOUSAND FOOT KRUTCH is TCABK1271307.
Who wrote "I GET WICKED - ANDY HUNTER REMIX"?
"I GET WICKED - ANDY HUNTER REMIX" was written by AARON SPRINKLE, TREVOR MCNEVAN, STEVE AUGUSTINE, JOEL BRUYERE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCABK1271307?

TCABK1271307 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I GET WICKED - ANDY HUNTER REMIX" by THOUSAND FOOT KRUTCH. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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