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Best Mistake I Ever Made album cover

ISRC

TCACA1492248

Best Mistake I Ever Made2

Song: BEST MISTAKE I EVER MADE

Kevin Fowler
unmatchedNot yet matched in the MLC database
Released 2007-09-25

Last verified:

TCACA1492248 is the International Standard Recording Code (ISRC) for the recording “Best Mistake I Ever Made” by Kevin Fowler, released 2007-09-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

TCCountry
ACARegistrant
14Year (2014)
92248Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Best Mistake I Ever Made" by Kevin Fowler?
The ISRC for "Best Mistake I Ever Made" by Kevin Fowler is TCACA1492248.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCACA1492248?

TCACA1492248 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Best Mistake I Ever Made” by Kevin Fowler. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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