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Finest Hour album cover

ISRC

TCACB1453838

Finest Hour2

Song: FINEST HOUR

Jay RockRick RossBJ the Chicago Kid
unmatchedNot yet matched in the MLC database
Released 2011-07-26

Last verified:

TCACB1453838 is the International Standard Recording Code (ISRC) for the recording “Finest Hour” by Jay Rock, Rick Ross, BJ the Chicago Kid, released 2011-07-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHNNY REED MCKINZIE JR.

Format

TCCountry
ACBRegistrant
14Year (2014)
53838Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

100%
JOHNNY REED MCKINZIE JRComposer100%
STRANGE MUSIC OriginalPublisher

Who publishes this song?

STRANGE MUSICOriginalPublisher

MLC Song Code

F4648B
Verify on MLC Portal →
SourcesNotesMusicBrainz2 sources

Verified on

People also ask

What is the ISRC for "Finest Hour" by Jay Rock?
The ISRC for "Finest Hour" by Jay Rock, Rick Ross, BJ the Chicago Kid is TCACB1453838.
Who wrote "Finest Hour"?
"Finest Hour" was written by JOHNNY REED MCKINZIE JR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCACB1453838?

TCACB1453838 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Finest Hour” by Jay Rock, Rick Ross, BJ the Chicago Kid. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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