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FALLIN' (THE ABYSS REMIX) album cover

ISRC

TCACF1538920

FALLIN' (THE ABYSS REMIX)

Song: THE ABYSS (MAIN TITLE)

JMSNJMSN & THE ABYSSJMSN THE ABYSSTHE ABYSSTHE ABYSS JMSN
unmatchedNot yet matched in the MLC database

Last verified:

TCACF1538920 is the International Standard Recording Code (ISRC) for the recording “FALLIN' (THE ABYSS REMIX)” by JMSN, JMSN & THE ABYSS, JMSN THE ABYSS, THE ABYSS, THE ABYSS JMSN. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALAN ANTHONY SILVESTRI.

Format

TCCountry
ACFRegistrant
15Year (2015)
38920Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFALLIN' (THE ABYSS REMIX)
IPIALAN ANTHONY SILVESTRI

People also ask

What is the ISRC for "FALLIN' (THE ABYSS REMIX)" by JMSN?
The ISRC for "FALLIN' (THE ABYSS REMIX)" by JMSN, JMSN & THE ABYSS, JMSN THE ABYSS, THE ABYSS, THE ABYSS JMSN is TCACF1538920.
Who wrote "FALLIN' (THE ABYSS REMIX)"?
"FALLIN' (THE ABYSS REMIX)" was written by ALAN ANTHONY SILVESTRI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCACF1538920?

TCACF1538920 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “FALLIN' (THE ABYSS REMIX)” by JMSN, JMSN & THE ABYSS, JMSN THE ABYSS, THE ABYSS, THE ABYSS JMSN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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