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Somos la salsa album cover

ISRC

TCACY1749197

Somos la salsa

Joseito RuizNG2N’KlabeWillito OteroJuan VélezMichelle BravaManolito RodríguezJuan José HernándezCarlos GarcíaKayvan Vega
Released 2017-03-01

Last verified:

TCACY1749197 is the International Standard Recording Code (ISRC) for the recording “Somos la salsa” by Joseito Ruiz, NG2, N’Klabe, Willito Otero, Juan Vélez, Michelle Brava, Manolito Rodríguez, Juan José Hernández, Carlos García, Kayvan Vega, released 2017-03-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

TCCountry
ACYRegistrant
17Year (2017)
49197Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Somos la salsa" by Joseito Ruiz?
The ISRC for "Somos la salsa" by Joseito Ruiz, NG2, N’Klabe, Willito Otero, Juan Vélez, Michelle Brava, Manolito Rodríguez, Juan José Hernández, Carlos García, Kayvan Vega is TCACY1749197.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCACY1749197?

TCACY1749197 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Somos la salsa” by Joseito Ruiz, NG2, N’Klabe, Willito Otero, Juan Vélez, Michelle Brava, Manolito Rodríguez, Juan José Hernández, Carlos García, Kayvan Vega. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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