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  3. TCACZ1768892

ISRC

TCACZ1768892

DON'T MENTION MY NAME

TIARA THOMAS

TCACZ1768892 is the International Standard Recording Code (ISRC) for the recording "DON'T MENTION MY NAME" by TIARA THOMAS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TIARA NICOLE THOMAS.

Format

TCCountry
ACZRegistrant
17Year (2017)
68892Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

TIARA NICOLE THOMASComposerLyricist
IPI: 00642947718
SONGS OF UNIVERSAL, INC. OriginalPublisher50.00%IPI: 00353271280
TIARA THOMAS MUSIC OriginalPublisher0.00%IPI: 00703338371
SONGS OF UNIVERSAL, INC. OriginalPublisher50.00%IPI: 00353271280

Who publishes this song?

SONGS OF UNIVERSAL, INC.OriginalPublisher
IPI: 00353271280
TIARA THOMAS MUSICOriginalPublisher
IPI: 00703338371

People also ask

What is the ISRC for "DON'T MENTION MY NAME" by TIARA THOMAS?+
The ISRC for "DON'T MENTION MY NAME" by TIARA THOMAS is TCACZ1768892.
Who wrote "DON'T MENTION MY NAME"?+
"DON'T MENTION MY NAME" was written by TIARA NICOLE THOMAS.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
SourcesMLC

About This ISRC

TCACZ1768892 is an International Standard Recording Code (ISRC) that uniquely identifies this specific sound recording. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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