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ISRC

TCADJ1798973

SUBEME LA RADIO (REMIX)

Song: SUBEME LA RADIO

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TCADJ1798973 is the International Standard Recording Code (ISRC) for the recording "SUBEME LA RADIO (REMIX)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ENRIQUE M IGLESIAS, GABRIEL ENRIQUE PIZARRO PIZARRO, FELIX G ORTIZ TORRES, and others.

Format

TCCountry
ADJRegistrant
17Year (2017)
98973Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSUBEME LA RADIO (REMIX)
IPIENRIQUE M IGLESIAS

Related

Songwriter profiles

ENRIQUE M IGLESIASIPIGABRIEL ENRIQUE PIZARRO PIZARROIPIFELIX G ORTIZ TORRESIPIJUAN G RIVERA VAZQUEZIPICARLOS ENRIQUE ORTIZ-RIVERAIPILUIS E ORTIZ-RIVERAIPI

People also ask

What is the ISRC for "SUBEME LA RADIO (REMIX)"?
The ISRC for "SUBEME LA RADIO (REMIX)" is TCADJ1798973.
Who wrote "SUBEME LA RADIO (REMIX)"?
"SUBEME LA RADIO (REMIX)" was written by ENRIQUE M IGLESIAS, GABRIEL ENRIQUE PIZARRO PIZARRO, FELIX G ORTIZ TORRES, JUAN G RIVERA VAZQUEZ, CARLOS ENRIQUE ORTIZ-RIVERA, LUIS E ORTIZ-RIVERA, DESCEMER BUENO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCADJ1798973?

TCADJ1798973 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SUBEME LA RADIO (REMIX)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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