SLOW MOTION (FEAT. R. CITY) album cover

ISRC

TCADK1745758

SLOW MOTION (FEAT. R. CITY)

Song: SLOW MOTION

PRESSUREPRESSURE BUSSPIPER. CITY
unmatchedNot yet matched in the MLC database

Last verified:

TCADK1745758 is the International Standard Recording Code (ISRC) for the recording "SLOW MOTION (FEAT. R. CITY)" by PRESSURE, PRESSURE BUSSPIPE, R. CITY. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THERON MAKIEL THOMAS, DELYNO BROWN, CLAUDELL MAURICE MONSANTO, and others.

Format

TCCountry
ADKRegistrant
17Year (2017)
45758Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSLOW MOTION (FEAT. R. CITY)

People also ask

What is the ISRC for "SLOW MOTION (FEAT. R. CITY)" by PRESSURE?
The ISRC for "SLOW MOTION (FEAT. R. CITY)" by PRESSURE, PRESSURE BUSSPIPE, R. CITY is TCADK1745758.
Who wrote "SLOW MOTION (FEAT. R. CITY)"?
"SLOW MOTION (FEAT. R. CITY)" was written by THERON MAKIEL THOMAS, DELYNO BROWN, CLAUDELL MAURICE MONSANTO, TIMOTHY JAMAHLI THOMAS, KASEY MICHAEL PHILIPS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCADK1745758?

TCADK1745758 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SLOW MOTION (FEAT. R. CITY)" by PRESSURE, PRESSURE BUSSPIPE, R. CITY. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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