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El abrazo de mi padre (pista) album cover

ISRC

TCAEB1926175

El abrazo de mi padre (pista)2

Song: EL ABRAZO DE MI PADRE

Emir Sensini
unmatchedNot yet matched in the MLC database
Released 2018-08-03

Last verified:

TCAEB1926175 is the International Standard Recording Code (ISRC) for the recording “El abrazo de mi padre (pista)” by Emir Sensini, released 2018-08-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

TCCountry
AEBRegistrant
19Year (2019)
26175Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "El abrazo de mi padre (pista)" by Emir Sensini?
The ISRC for "El abrazo de mi padre (pista)" by Emir Sensini is TCAEB1926175.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCAEB1926175?

TCAEB1926175 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “El abrazo de mi padre (pista)” by Emir Sensini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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