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ISRC

TCJPJ1930952

DOOR OF THE COSMOS (LIVE AT SPIRAL HALL, TOKYO, APR 26, 2017)

Song: DOOR OF THE COSMOS

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TCJPJ1930952 is the International Standard Recording Code (ISRC) for the recording “DOOR OF THE COSMOS (LIVE AT SPIRAL HALL, TOKYO, APR 26, 2017)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SUN RA.

Format

TCCountry
JPJRegistrant
19Year (2019)
30952Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDOOR OF THE COSMOS (LIVE AT SPIRAL HALL, TOKYO, APR 26, 2017)
IPISUN RA

Related

Songwriter profiles

SUN RAIPI

People also ask

What is the ISRC for "DOOR OF THE COSMOS (LIVE AT SPIRAL HALL, TOKYO, APR 26, 2017)"?
The ISRC for "DOOR OF THE COSMOS (LIVE AT SPIRAL HALL, TOKYO, APR 26, 2017)" is TCJPJ1930952.
Who wrote "DOOR OF THE COSMOS (LIVE AT SPIRAL HALL, TOKYO, APR 26, 2017)"?
"DOOR OF THE COSMOS (LIVE AT SPIRAL HALL, TOKYO, APR 26, 2017)" was written by SUN RA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCJPJ1930952?

TCJPJ1930952 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “DOOR OF THE COSMOS (LIVE AT SPIRAL HALL, TOKYO, APR 26, 2017)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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