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Lasterhaftes Trio, WWV 141: I. Intrade (a oama gloana schdudent) album cover

ISRC

UK2Y21602789

Lasterhaftes Trio, WWV 141: I. Intrade (a oama gloana schdudent)

Song: Lasterhaftes Trio: I. Intrade (a oama gloana schdudent)

Serge PoltavskyEvgeny RumyantsevGrigory Krotenko
Released 2016-01-01

Last verified:

UK2Y21602789 is the International Standard Recording Code (ISRC) for the recording “Lasterhaftes Trio, WWV 141: I. Intrade (a oama gloana schdudent)” by Serge Poltavsky, Evgeny Rumyantsev, Grigory Krotenko, released 2016-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

UKCountry
2Y2Registrant
16Year (2016)
02789Designation
Country:
ISO 3166-1 alpha-2 country code (UK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Lasterhaftes Trio, WWV 141: I. Intrade (a oama gloana schdudent)" by Serge Poltavsky?
The ISRC for "Lasterhaftes Trio, WWV 141: I. Intrade (a oama gloana schdudent)" by Serge Poltavsky, Evgeny Rumyantsev, Grigory Krotenko is UK2Y21602789.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC UK2Y21602789?

UK2Y21602789 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Lasterhaftes Trio, WWV 141: I. Intrade (a oama gloana schdudent)” by Serge Poltavsky, Evgeny Rumyantsev, Grigory Krotenko. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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