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ISRC

UK3XT2100335

The Love That Cannot Be (live from The Music Center at Strathmore, North Bethesda, MD. October 10th, 2005)

Song: The Love That Cannot Be

Dead Can Dance
unmatchedNot yet matched in the MLC database
Released 2021-12-28

Last verified:

UK3XT2100335 is the International Standard Recording Code (ISRC) for the recording "The Love That Cannot Be (live from The Music Center at Strathmore, North Bethesda, MD. October 10th, 2005)" by Dead Can Dance, released 2021-12-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

UKCountry
3XTRegistrant
21Year (2021)
00335Designation
Country:
ISO 3166-1 alpha-2 country code (UK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "The Love That Cannot Be (live from The Music Center at Strathmore, North Bethesda, MD. October 10th, 2005)" by Dead Can Dance?
The ISRC for "The Love That Cannot Be (live from The Music Center at Strathmore, North Bethesda, MD. October 10th, 2005)" by Dead Can Dance is UK3XT2100335.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC UK3XT2100335?

UK3XT2100335 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Love That Cannot Be (live from The Music Center at Strathmore, North Bethesda, MD. October 10th, 2005)" by Dead Can Dance. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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