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Otter Pop Jam album cover

ISRC

UK6821634101

Otter Pop Jam2

Song: OTTER POP JAM

Next to Blue
matched
Released 2015-12-07

Last verified:

UK6821634101 is the International Standard Recording Code (ISRC) for the recording “Otter Pop Jam” by Next to Blue, released 2015-12-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BENJAMIN BENECKE.

Format

UKCountry
682Registrant
16Year (2016)
34101Designation
Country:
ISO 3166-1 alpha-2 country code (UK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BENJAMIN BENECKEComposer
NIGHT OWL COLLECTIVE OriginalPublisher0.00%IPI: 00786532403
DUCHAMP, INC RightsAdministrator100.00%IPI: 00471109475

Who publishes this song?

NIGHT OWL COLLECTIVEOriginalPublisher
IPI: 00786532403
DUCHAMP, INCRightsAdministrator
IPI: 00471109475

MLC Song Code

OV9RDT
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Otter Pop Jam" by Next to Blue?
The ISRC for "Otter Pop Jam" by Next to Blue is UK6821634101.
Who wrote "Otter Pop Jam"?
"Otter Pop Jam" was written by BENJAMIN BENECKE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC UK6821634101?

UK6821634101 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Otter Pop Jam” by Next to Blue. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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