Fire in the Booth, Pt. 1 album cover

ISRC

UK93X1900086

Fire in the Booth, Pt. 12

Song: FIRE IN THE BOOTH PT. 1

Megan Thee StallionCharlie Sloth
matched
Released 2019-03-10

Last verified:

UK93X1900086 is the International Standard Recording Code (ISRC) for the recording “Fire in the Booth, Pt. 1 by Megan Thee Stallion, Charlie Sloth, released 2019-03-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TIMOY JANOYE JONES, CHARLIE SLOTH, JOSHUA CAMRON WHITE, and others.

Format

UKCountry
93XRegistrant
19Year (2019)
00086Designation
Country:
ISO 3166-1 alpha-2 country code (UK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFire in the Booth, Pt. 1

People also ask

What is the ISRC for "Fire in the Booth, Pt. 1" by Megan Thee Stallion?
The ISRC for "Fire in the Booth, Pt. 1" by Megan Thee Stallion, Charlie Sloth is UK93X1900086.
Who wrote "Fire in the Booth, Pt. 1"?
"Fire in the Booth, Pt. 1" was written by TIMOY JANOYE JONES, CHARLIE SLOTH, JOSHUA CAMRON WHITE, SKILLA BABY, CHARLIE SLOTH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC UK93X1900086?

UK93X1900086 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Fire in the Booth, Pt. 1 by Megan Thee Stallion, Charlie Sloth. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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