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I Don't Want to See the Sights album cover

ISRC

UK9AV2200752

I Don't Want to See the Sights2

Song: I DON'T WANT TO SEE THE SIGHTS

The Charlatans
unmatchedNot yet matched in the MLC database

Last verified:

UK9AV2200752 is the International Standard Recording Code (ISRC) for the recording “I Don't Want to See the Sights” by The Charlatans. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BURGESS, BROOKES, BLUNT, and others.

Format

UKCountry
9AVRegistrant
22Year (2022)
00752Designation
Country:
ISO 3166-1 alpha-2 country code (UK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BURGESSComposer
BROOKESComposer
BLUNTComposer
COLLINSComposer

Credits Graph

MLC Song Code

I00533
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "I Don't Want to See the Sights" by The Charlatans?
The ISRC for "I Don't Want to See the Sights" by The Charlatans is UK9AV2200752.
Who wrote "I Don't Want to See the Sights"?
"I Don't Want to See the Sights" was written by BURGESS, BROOKES, BLUNT, COLLINS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC UK9AV2200752?

UK9AV2200752 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Don't Want to See the Sights” by The Charlatans. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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