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ISRC

UKWLG2400142

SYREN VS. RUSH VS. SOMEBODY THAT I USED TO KNOW (DAVID GUETTA & DJS FROM MARS MASHUP) - LIVE AT ALULA, MIXED

ANYMAREBŪKESIED VAN RIELGOTYE

Last verified:

UKWLG2400142 is the International Standard Recording Code (ISRC) for the recording "SYREN VS. RUSH VS. SOMEBODY THAT I USED TO KNOW (DAVID GUETTA & DJS FROM MARS MASHUP) - LIVE AT ALULA, MIXED" by ANYMA, REBŪKE, SIED VAN RIEL, GOTYE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

UKCountry
WLGRegistrant
24Year (2024)
00142Designation
Country:
ISO 3166-1 alpha-2 country code (UK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "SYREN VS. RUSH VS. SOMEBODY THAT I USED TO KNOW (DAVID GUETTA & DJS FROM MARS MASHUP) - LIVE AT ALULA, MIXED" by ANYMA?
The ISRC for "SYREN VS. RUSH VS. SOMEBODY THAT I USED TO KNOW (DAVID GUETTA & DJS FROM MARS MASHUP) - LIVE AT ALULA, MIXED" by ANYMA, REBŪKE, SIED VAN RIEL, GOTYE is UKWLG2400142.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC UKWLG2400142?

UKWLG2400142 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SYREN VS. RUSH VS. SOMEBODY THAT I USED TO KNOW (DAVID GUETTA & DJS FROM MARS MASHUP) - LIVE AT ALULA, MIXED" by ANYMA, REBŪKE, SIED VAN RIEL, GOTYE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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