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REBEL TIME album cover

ISRC

US23A1536381

REBEL TIME

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US23A1536381 is the International Standard Recording Code (ISRC) for the recording “REBEL TIME”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MOONGA KAPAMBWE, GREG ABRAHAMS, SAMPA TEMBO.

Format

USCountry
23ARegistrant
15Year (2015)
36381Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MOONGA KAPAMBWEComposerLyricist
PEERMUSIC (UK) LTD. OriginalPublisherIPI: 00162536085
GREG ABRAHAMSComposerLyricist
PEERMUSIC (UK) LTD. OriginalPublisherIPI: 00162536085
Gregory Mark Abrahams OriginalPublisherIPI: 00831138462
SAMPA TEMBOComposerLyricist
PEERMUSIC (UK) LTD. OriginalPublisherIPI: 00162536085

Who publishes this song?

PEERMUSIC (UK) LTD.OriginalPublisher
IPI: 00162536085
Gregory Mark AbrahamsOriginalPublisher
IPI: 00831138462

MLC Song Code

RB5PHY
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SourcesMLC

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People also ask

What is the ISRC for "REBEL TIME"?
The ISRC for "REBEL TIME" is US23A1536381.
Who wrote "REBEL TIME"?
"REBEL TIME" was written by MOONGA KAPAMBWE, GREG ABRAHAMS, SAMPA TEMBO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US23A1536381?

US23A1536381 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “REBEL TIME”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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