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Tremor (Maddix remix) / Fine Day Anthem / Show Me Love album cover

ISRC

US23A8832201

Tremor (Maddix remix) / Fine Day Anthem / Show Me Love

Dimitri Vegas & Like MikeMartin GarrixSkrillexBoys NoizeRobin S.

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US23A8832201 is the International Standard Recording Code (ISRC) for the recording “Tremor (Maddix remix) / Fine Day Anthem / Show Me Love” by Dimitri Vegas & Like Mike, Martin Garrix, Skrillex, Boys Noize, Robin S.. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
23ARegistrant
88Year (1988)
32201Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1988):
Last two digits of the reference year (1988). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Tremor (Maddix remix) / Fine Day Anthem / Show Me Love" by Dimitri Vegas & Like Mike?
The ISRC for "Tremor (Maddix remix) / Fine Day Anthem / Show Me Love" by Dimitri Vegas & Like Mike, Martin Garrix, Skrillex, Boys Noize, Robin S. is US23A8832201.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US23A8832201?

US23A8832201 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Tremor (Maddix remix) / Fine Day Anthem / Show Me Love” by Dimitri Vegas & Like Mike, Martin Garrix, Skrillex, Boys Noize, Robin S.. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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