Too Many Lies (Fred again.. remix) album cover

ISRC

US23A9018202

Too Many Lies (Fred again.. remix)

Song: TOO MANY LIES

LDBandoKay
unmatchedNot yet matched in the MLC database
Released 2024-09-13

Last verified:

US23A9018202 is the International Standard Recording Code (ISRC) for the recording "Too Many Lies (Fred again.. remix)" by LD, BandoKay, released 2024-09-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PHILIP TENEV KUTEV, CASSIEL WUTA-OFEI, MARIYKA VASSILEVA KUTEVA, and others.

Format

USCountry
23ARegistrant
90Year (1990)
18202Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCToo Many Lies (Fred again.. remix)

People also ask

What is the ISRC for "Too Many Lies (Fred again.. remix)" by LD?
The ISRC for "Too Many Lies (Fred again.. remix)" by LD, BandoKay is US23A9018202.
Who wrote "Too Many Lies (Fred again.. remix)"?
"Too Many Lies (Fred again.. remix)" was written by PHILIP TENEV KUTEV, CASSIEL WUTA-OFEI, MARIYKA VASSILEVA KUTEVA, KEMANI DUGGAN, SADIQUR RAHMAN, HILKO NIJHOF.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US23A9018202?

US23A9018202 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Too Many Lies (Fred again.. remix)" by LD, BandoKay. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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