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ISRC

US25X1082285

Part 4

Edmund SteinbergerStars As EyesMinimum BrútalMainpal Inv.Transistor CricketJeremy DowerRockin’ PonyDerevoMeredith Figurine & IwneTechnicolor
Released 2010-10-26

Last verified:

US25X1082285 is the International Standard Recording Code (ISRC) for the recording "Part 4" by Edmund Steinberger, Stars As Eyes, Minimum Brútal, Mainpal Inv., Transistor Cricket, Jeremy Dower, Rockin’ Pony, Derevo, Meredith Figurine & Iwne, Technicolor, released 2010-10-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
25XRegistrant
10Year (2010)
82285Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Part 4" by Edmund Steinberger?
The ISRC for "Part 4" by Edmund Steinberger, Stars As Eyes, Minimum Brútal, Mainpal Inv., Transistor Cricket, Jeremy Dower, Rockin’ Pony, Derevo, Meredith Figurine & Iwne, Technicolor is US25X1082285.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US25X1082285?

US25X1082285 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Part 4" by Edmund Steinberger, Stars As Eyes, Minimum Brútal, Mainpal Inv., Transistor Cricket, Jeremy Dower, Rockin’ Pony, Derevo, Meredith Figurine & Iwne, Technicolor. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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