ISRC
Victims of the Masterplan: I. The Child Murders / II. Confession and Fear / III. Speculation / IV. The Masterplan / V. Forever We Must Wonder2
Song: QUINTET IN G MINOR, OP. 57 I. PRELUDE (LENTO) II. FUGUE (ADAGIO) III. SCHERZO (ALLEGRETTO) IV. INTERMEZZO (LENTO) V. FINALE (ALLEGRETTO)
Last verified:
US2640149507 is the International Standard Recording Code (ISRC) for the recording “Victims of the Masterplan: I. The Child Murders / II. Confession and Fear / III. Speculation / IV. The Masterplan / V. Forever We Must Wonder” by Deceased, released 2001-07-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
MLC Song Code
US2640149507 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Victims of the Masterplan: I. The Child Murders / II. Confession and Fear / III. Speculation / IV. The Masterplan / V. Forever We Must Wonder” by Deceased. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
US2640149507 is the International Standard Recording Code (ISRC) for the recording “Victims of the Masterplan: I. The Child Murders / II. Confession and Fear / III. Speculation / IV. The Masterplan / V. Forever We Must Wonder” by Deceased, released 2001-07-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
