Just for Kicks (“Meat Grinder” demo) album cover

ISRC

US2S70465037

Just for Kicks (“Meat Grinder” demo)

Song: "JUST FOR KICKS( ""MEAT GRINDER""DEMO)"

Madvillain
unmatchedNot yet matched in the MLC database
Released 2024-11-28

Last verified:

US2S70465037 is the International Standard Recording Code (ISRC) for the recording "Just for Kicks (“Meat Grinder” demo)" by Madvillain, released 2024-11-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANIEL DUMILE THOMPSON, HOWARD LUCRAFT, OTIS JACKSON.

Format

USCountry
2S7Registrant
04Year (2004)
65037Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCJust for Kicks (“Meat Grinder” demo)

People also ask

What is the ISRC for "Just for Kicks (“Meat Grinder” demo)" by Madvillain?
The ISRC for "Just for Kicks (“Meat Grinder” demo)" by Madvillain is US2S70465037.
Who wrote "Just for Kicks (“Meat Grinder” demo)"?
"Just for Kicks (“Meat Grinder” demo)" was written by DANIEL DUMILE THOMPSON, HOWARD LUCRAFT, OTIS JACKSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US2S70465037?

US2S70465037 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Just for Kicks (“Meat Grinder” demo)" by Madvillain. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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