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ISRC

US2T71501005

Why Don't You Love Me

Song: WHY DON'T YOU LOVE ME

Tom HiddlestonThe Saddle Spring Boys
unmatchedNot yet matched in the MLC database
Released 2015-01-01

Last verified:

US2T71501005 is the International Standard Recording Code (ISRC) for the recording "Why Don't You Love Me" by Tom Hiddleston, The Saddle Spring Boys, released 2015-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
2T7Registrant
15Year (2015)
01005Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "Why Don't You Love Me" by Tom Hiddleston?
The ISRC for "Why Don't You Love Me" by Tom Hiddleston, The Saddle Spring Boys is US2T71501005.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US2T71501005?

US2T71501005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Why Don't You Love Me" by Tom Hiddleston, The Saddle Spring Boys. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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