ISRC
Deutsche Messe, D 872: Zum Sanctus: Heilig, heilig ist der Herr
Song: Deutsche Messe, D. 872: V. Zum Sanctus: Heilig, Heilig
Last verified:
US2TL0927113 is the International Standard Recording Code (ISRC) for the recording “Deutsche Messe, D 872: Zum Sanctus: Heilig, heilig ist der Herr” by Walton Grönroos, Werner Hollweg, Celina Lindsley, RIAS-Kammerchor, Gabriele Schreckenbach, Rundfunk-Symphonie-Orchester Berlin, Marcus Creed, released 1996-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
US2TL0927113 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Deutsche Messe, D 872: Zum Sanctus: Heilig, heilig ist der Herr” by Walton Grönroos, Werner Hollweg, Celina Lindsley, RIAS-Kammerchor, Gabriele Schreckenbach, Rundfunk-Symphonie-Orchester Berlin, Marcus Creed. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.
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James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger
GBAYC1902306RIAS-Kammerchor, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
DEF056102550RIAS-Kammerchor, Chor der St. Hedwigs-Kathedrale, RIAS-Symphonie-Orchester Berlin, Ferenc Fricsay
DEF055130710US2TL0927113 is the International Standard Recording Code (ISRC) for the recording “Deutsche Messe, D 872: Zum Sanctus: Heilig, heilig ist der Herr” by Walton Grönroos, Werner Hollweg, Celina Lindsley, RIAS-Kammerchor, Gabriele Schreckenbach, Rundfunk-Symphonie-Orchester Berlin, Marcus Creed, released 1996-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.