DER BARBIER VON BAGDAD (THE BARBER OF BAGDAD): OVERTURE album cover

ISRC

US2TL0930404

DER BARBIER VON BAGDAD (THE BARBER OF BAGDAD): OVERTURE

Song: OVERTURE (LE NOZZE DI FIGARO)

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US2TL0930404 is the International Standard Recording Code (ISRC) for the recording “DER BARBIER VON BAGDAD (THE BARBER OF BAGDAD): OVERTURE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PETER KIESEWALTER, WOLFGANG AMADEUS MOZART, PETER TOWNSHEND.

Format

USCountry
2TLRegistrant
09Year (2009)
30404Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDER BARBIER VON BAGDAD (THE BARBER OF BAGDAD): OVERTURE

People also ask

What is the ISRC for "DER BARBIER VON BAGDAD (THE BARBER OF BAGDAD): OVERTURE"?
The ISRC for "DER BARBIER VON BAGDAD (THE BARBER OF BAGDAD): OVERTURE" is US2TL0930404.
Who wrote "DER BARBIER VON BAGDAD (THE BARBER OF BAGDAD): OVERTURE"?
"DER BARBIER VON BAGDAD (THE BARBER OF BAGDAD): OVERTURE" was written by PETER KIESEWALTER, WOLFGANG AMADEUS MOZART, PETER TOWNSHEND.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US2TL0930404?

US2TL0930404 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “DER BARBIER VON BAGDAD (THE BARBER OF BAGDAD): OVERTURE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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