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ISRC

US2W61642709

Grief and the Imaginary Grave, Vol. 2: Red Trillium

Alexis CuadradoRowan Ricardo PhillipsMiles OkazakiAndy MilneTyshawn Sorey
Released 2016-05-24

Last verified:

US2W61642709 is the International Standard Recording Code (ISRC) for the recording "Grief and the Imaginary Grave, Vol. 2: Red Trillium" by Alexis Cuadrado, Rowan Ricardo Phillips, Miles Okazaki, Andy Milne, Tyshawn Sorey, released 2016-05-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
2W6Registrant
16Year (2016)
42709Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Grief and the Imaginary Grave, Vol. 2: Red Trillium" by Alexis Cuadrado?
The ISRC for "Grief and the Imaginary Grave, Vol. 2: Red Trillium" by Alexis Cuadrado, Rowan Ricardo Phillips, Miles Okazaki, Andy Milne, Tyshawn Sorey is US2W61642709.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US2W61642709?

US2W61642709 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Grief and the Imaginary Grave, Vol. 2: Red Trillium" by Alexis Cuadrado, Rowan Ricardo Phillips, Miles Okazaki, Andy Milne, Tyshawn Sorey. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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