FRIENDS TO MIAMI FEAT MEEK MILL album cover

ISRC

US38Y2503033

FRIENDS TO MIAMI FEAT MEEK MILL

Song: FRIENDS TO MIAMI

YUNG BLEU
unmatchedNot yet matched in the MLC database
Released 2025-02-14

Last verified:

US38Y2503033 is the International Standard Recording Code (ISRC) for the recording "FRIENDS TO MIAMI FEAT MEEK MILL" by YUNG BLEU, released 2025-02-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SAMUEL DAVID JIMENEZ, ROBERT HALE, JOSHUA PARKER, and others.

Format

USCountry
38YRegistrant
25Year (2025)
03033Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFRIENDS TO MIAMI FEAT MEEK MILL

People also ask

What is the ISRC for "FRIENDS TO MIAMI FEAT MEEK MILL" by YUNG BLEU?
The ISRC for "FRIENDS TO MIAMI FEAT MEEK MILL" by YUNG BLEU is US38Y2503033.
Who wrote "FRIENDS TO MIAMI FEAT MEEK MILL"?
"FRIENDS TO MIAMI FEAT MEEK MILL" was written by SAMUEL DAVID JIMENEZ, ROBERT HALE, JOSHUA PARKER, JEREMY BIDDLE, JERRY A LANG, TELDRICK SMITH, JALEN CARTER, NATHAN MANSUR, ROBERT RIHMEEK WILLIAMS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US38Y2503033?

US38Y2503033 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FRIENDS TO MIAMI FEAT MEEK MILL" by YUNG BLEU. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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