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QUEEN S TESTIMONY FEAT K MICHELLE album cover

ISRC

US38Y2552591

QUEEN S TESTIMONY FEAT K MICHELLE

BIG FREEDIA
unmatchedNot yet matched in the MLC database
Released 2025-08-08

Last verified:

US38Y2552591 is the International Standard Recording Code (ISRC) for the recording "QUEEN S TESTIMONY FEAT K MICHELLE" by BIG FREEDIA, released 2025-08-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FREDDIE ROSS, TREY CAMPBELL, KAMERON TRAVISS GLASPER, and others.

Format

USCountry
38YRegistrant
25Year (2025)
52591Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCQUEEN S TESTIMONY FEAT K MICHELLE
IPIFREDDIE ROSS

People also ask

What is the ISRC for "QUEEN S TESTIMONY FEAT K MICHELLE" by BIG FREEDIA?
The ISRC for "QUEEN S TESTIMONY FEAT K MICHELLE" by BIG FREEDIA is US38Y2552591.
Who wrote "QUEEN S TESTIMONY FEAT K MICHELLE"?
"QUEEN S TESTIMONY FEAT K MICHELLE" was written by FREDDIE ROSS, TREY CAMPBELL, KAMERON TRAVISS GLASPER, TATIANA TENISE MATTHEWS, K MICHELLE, TIM RANDOLPH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US38Y2552591?

US38Y2552591 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "QUEEN S TESTIMONY FEAT K MICHELLE" by BIG FREEDIA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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