ISRC

US3DF1945672

Age of the Universe2

Song: AGE OF THE UNIVERSE

Richard Edward Pryn
matched
Released 2019-04-28

Last verified:

US3DF1945672 is the International Standard Recording Code (ISRC) for the recording “Age of the Universe by Richard Edward Pryn, released 2019-04-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RICHARD PRYN.

Format

USCountry
3DFRegistrant
19Year (2019)
45672Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RICHARD PRYNComposer
FAIRSPLIT MUSIC LIMITED OriginalPublisher0.00%
SOUNDRIGHTS MUSIC RightsAdministrator100.00%IPI: 00466398507

Who publishes this song?

FAIRSPLIT MUSIC LIMITEDOriginalPublisher
SOUNDRIGHTS MUSICRightsAdministrator
IPI: 00466398507
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Age of the Universe" by Richard Edward Pryn?
The ISRC for "Age of the Universe" by Richard Edward Pryn is US3DF1945672.
Who wrote "Age of the Universe"?
"Age of the Universe" was written by RICHARD PRYN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US3DF1945672?

US3DF1945672 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Age of the Universe by Richard Edward Pryn. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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