SEVEN NATION ARMY THE GLITCH MOB REMIX album cover

ISRC

US3JJ1900534

SEVEN NATION ARMY THE GLITCH MOB REMIX

THE WHITE STRIPES THE GLITCH MOB
unmatchedNot yet matched in the MLC database
Released 2011-01-01

Last verified:

US3JJ1900534 is the International Standard Recording Code (ISRC) for the recording "SEVEN NATION ARMY THE GLITCH MOB REMIX" by THE WHITE STRIPES THE GLITCH MOB, released 2011-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHN ANTHONY WHITE.

Format

USCountry
3JJRegistrant
19Year (2019)
00534Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSEVEN NATION ARMY THE GLITCH MOB REMIX

People also ask

What is the ISRC for "SEVEN NATION ARMY THE GLITCH MOB REMIX" by THE WHITE STRIPES THE GLITCH MOB?
The ISRC for "SEVEN NATION ARMY THE GLITCH MOB REMIX" by THE WHITE STRIPES THE GLITCH MOB is US3JJ1900534.
Who wrote "SEVEN NATION ARMY THE GLITCH MOB REMIX"?
"SEVEN NATION ARMY THE GLITCH MOB REMIX" was written by JOHN ANTHONY WHITE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US3JJ1900534?

US3JJ1900534 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SEVEN NATION ARMY THE GLITCH MOB REMIX" by THE WHITE STRIPES THE GLITCH MOB. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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