I WON'T MISS album cover

ISRC

US43C1615829

I WON'T MISS

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US43C1615829 is the International Standard Recording Code (ISRC) for the recording “I WON'T MISS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAVIS BROWN, LAMAR SHULER.

Format

USCountry
43CRegistrant
16Year (2016)
15829Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DAVIS BROWNComposerLyricist
MIXED METAPHOR MUSIC OriginalPublisher0.00%IPI: 00356693522
POSITION MUSIC PUBLISHING RightsAdministrator100.00%IPI: 00346955132
LAMAR SHULERComposerLyricist
MIXED METAPHOR MUSIC OriginalPublisher0.00%IPI: 00356693522
POSITION MUSIC PUBLISHING RightsAdministrator100.00%IPI: 00346955132

Who publishes this song?

MIXED METAPHOR MUSICOriginalPublisher
IPI: 00356693522
POSITION MUSIC PUBLISHINGRightsAdministrator
IPI: 00346955132

MLC Song Code

SourcesMLC

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People also ask

What is the ISRC for "I WON'T MISS"?
The ISRC for "I WON'T MISS" is US43C1615829.
Who wrote "I WON'T MISS"?
"I WON'T MISS" was written by DAVIS BROWN, LAMAR SHULER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US43C1615829?

US43C1615829 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I WON'T MISS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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