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ISRC

US4HD0900005

Active Side of Infinity

Song: ACTIVE SIDE OF INFINITY

Craig PadillaZero OhmsSkip Murphy
unmatchedNot yet matched in the MLC database
Released 2009-02-10

Last verified:

US4HD0900005 is the International Standard Recording Code (ISRC) for the recording "Active Side of Infinity" by Craig Padilla, Zero Ohms, Skip Murphy, released 2009-02-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
4HDRegistrant
09Year (2009)
00005Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "Active Side of Infinity" by Craig Padilla?
The ISRC for "Active Side of Infinity" by Craig Padilla, Zero Ohms, Skip Murphy is US4HD0900005.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US4HD0900005?

US4HD0900005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Active Side of Infinity" by Craig Padilla, Zero Ohms, Skip Murphy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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