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THANKS FOR LOVING ME (BRIAN FOR PRESIDENT INSTRUMENTAL) album cover

ISRC

US5UL1509689

THANKS FOR LOVING ME (BRIAN FOR PRESIDENT INSTRUMENTAL)

Song: THANKS FOR LOVING ME (PHANTOM RIDE REMIX)

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US5UL1509689 is the International Standard Recording Code (ISRC) for the recording “THANKS FOR LOVING ME (BRIAN FOR PRESIDENT INSTRUMENTAL)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KATIE LAUREL SMITH.

Format

USCountry
5ULRegistrant
15Year (2015)
09689Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHANKS FOR LOVING ME (BRIAN FOR PRESIDENT INSTRUMENTAL)
IPIKATIE LAUREL SMITH

Related

Songwriter profiles

KATIE LAUREL SMITHIPI

People also ask

What is the ISRC for "THANKS FOR LOVING ME (BRIAN FOR PRESIDENT INSTRUMENTAL)"?
The ISRC for "THANKS FOR LOVING ME (BRIAN FOR PRESIDENT INSTRUMENTAL)" is US5UL1509689.
Who wrote "THANKS FOR LOVING ME (BRIAN FOR PRESIDENT INSTRUMENTAL)"?
"THANKS FOR LOVING ME (BRIAN FOR PRESIDENT INSTRUMENTAL)" was written by KATIE LAUREL SMITH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US5UL1509689?

US5UL1509689 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THANKS FOR LOVING ME (BRIAN FOR PRESIDENT INSTRUMENTAL)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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